For the past year, I have conducted a weekly “data physicalization” project with my colleagues at the Urban Institute. Each week, I would devise a new research question and give my colleagues the opportunity to input their own data using toothpicks in foam, stickers on the wall, wooden disks on a map, string tied together, dried beans in glass tubes, and more. Together, we would create a data visualization, be it an isotype chart, bar chart, scatterplot, histogram, or other illustration.
Because the project led me to new insights on how people approach visualizing data, I started to think about writing on my process and insights to empower others to experiment with similar ideas. When an academic journal invited me to write a paper on a topic of my choosing, I thought it was the perfect opportunity to do so.
Having made it to the other side of that process and ultimately deciding to publish the paper through the Urban Institute, I am now much less inclined to try to publish in academic journals again. Not because the process is difficult (it is), or expensive (also true—this journal wanted me to pay $1,800 for open access publishing rights), or tedious (it takes time to write, edit, and get the paper reviewed), or even because academic publishing is essentially broken (oh, it clearly is), but because the journal’s editors wanted me to make the paper less accessible and more difficult for people to read.
In case you’re not familiar, academic publishing generally follows a formulaic routine: After the paper is submitted, an editor or co-editor reviews for basic quality (known as a “desk review”), then sends it out for peer review—typically, other experts in the topic or field who will give the paper a more detailed, critical review. Peer reviewers can outright reject a paper or ask for major or minor reviews before publication, depending on the subject area and journal guidelines.
In my case, the paper was reviewed by two peer reviewers and an associate editor. While I found one of the reviewer's comments useful, I felt the comments from the second reviewer and associated editor were off-the-mark and emblematic of misaligned priorities in the academic publishing world.
In both reviewers sets of comments, they focused on changing the language and style of the paper ways that seemingly intended to make the writing more difficult and convoluted. In addition to minor quibbles with style (e.g., change "Research by Bae and colleagues shows …" to "Bae et al. [12] shows …"), the associate editor wrote the following:
"In the paper, the author used the first-person pronoun "I" throughout the paper. It is understandable that only one author is in the paper. However, using passive voice or third-person perspectives to emphasize the results and the science rather than the researcher is better."
The reviewer took it a step further by writing, "So, while the content of the paper is of interest, it needs a more scientific approach of writing (avoid also "I", write more technical)."
This, in a single sentence, encapsulates one of the major problems with academic publishing: A desire to make language more technical, more difficult to read, and less accessible.
In my entire career, I have never heard anyone argue for passive voice. Writing in the active voice makes the work clearer and consistently more engaging than passive voice. Why the editors of this special call and the journal more broadly would promote less clear and more technical language is beyond me.
I emailed the associate editor to push back on the style requests, to which the lead editor responded: “For the "I" pronoun, it is true that there is no universal rule against the use of the first person in scientific writing. However, most researchers (including Dr. Shultz in Eloquent Science) mentioned that limited use of first-person pronouns in scientific writing is more acceptable.”
The editor’s citation of Shulz’s book, however, is misguided. Instead of arguing that limited use of first-person pronouns is “more acceptable,” Shulz writes (emphasis added),
Some teacher or professor in your past might have taught you to avoid the use of the first person (I or we), leading to a forced marriage with the passive voice. To appear disconnected from the research, common practice among authors of scientific and technical documents is to favor the passive voice, with the person who performed the simulation unstated and irrelevant. Such obtuse writing style has not always been the preferred style. Prior to the 1920s in the United States, active voice and first-person pronouns were quite common in scientific writing. Because science is done by individuals who make conscious decisions in designing, implementing, and communicating their research, such an air of impersonality, frankly, is disingenuous. We are intimately tied to our research and bias creeps in. The least we can do is acknowledge it…. I believe the first person can be quite effective when used sparingly and with purpose.
Regardless of Schulz’s actual recommendations, I wasn’t going to win this argument with the journal or its editors. They were clear that all of the reviewers’ and editors’ comments needed to be addressed, including those on writing style. I may not be the best writer in the world, but I couldn’t in good conscience make the paper more difficult to read just to sound more scientific. I will never believe that less accessible writing is a good way to present analysis or research.
There is one other quote from Shulz’s book that I think aptly summarizes my perspective on why being a better writer (and presenter and data communicator) makes for better science:
“When we write or speak, we fail to convey our enthusiasm and to personalize our science within a proper context. Purging our personalities from our work sterilizes it. We scientists individually need to find our voices, our creativity, and our originality."
Podcast: Summer Listening
I am unofficially on break from the PolicyViz Podcast. Actually, that’s not entirely true—I did an interview last week. But, I’m not editing the audio or video, or creating social media images, or writing intro blurbs for each show. So, that’s a nice break. And hey, if you’re taking a break this summer, why don’t you take some time and catch up on the show? Lots of great stuff in there to listen to and learn. And if you’re up for helping me out, please consider leaving a rating or review of the show—more reviews means more listeners means more guests.
New YouTube Videos
If you haven’t checked out my YouTube channel in a while, summertime is the best time. I have an entire playlist dedicated to the Back to Viz Basics (#B2VB) project, where I’m creating graphs in the Flourish data visualization tool. Flourish has some really nice features—lots of graph options; ability to create basic scrollytelling features; and integration with Canva—but also some odd things going on with some of the menus and other aspects of creation. Overall, though, it’s definitely a tool I’ve enjoyed using and adding to my toolkit. I’ve also just posted a new step-by-step Excel video to create a really nice diverging bar chart from the European Correspondent. If you’re into hacking Excel, I think you’ll like this one.
Things I’m Reading & Watching
Books
Visualize This: The FlowingData Guide to Design, Visualization, and Statistics, Nathan Yau
Detroit's Birwood Wall: Hatred and Healing in the West Eight Mile Community, by Gerald C Van Dusen and Reverend Jim Holley PhD
Articles
Querying the Quantification of the Queer: Data-Driven Visualisations of the Gender Spectrum, by Simeoni et al.
Integrating Sonification and Visualization – But Why?, by Rind et al.
From Jam Session to Recital: Synchronous Communication and Collaboration Around Data in Organizations, by Brehmer and Kosara
TV, Movies, Music, and Miscellaneous
Shogun, Hulu
The Bear, Hulu
Welcome to Wrexham, Hulu
Note: As an Amazon Associate I earn from qualifying purchases.
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Thank you for choosing to make your work accessible. Your articles and podcasts are my go to because I easily understand; I have learnt so much from your articles and podcasts, thank you.
I *SO* agree with this gripe!
But given the topic (academic publishing) let's add the other elephant in the room:
journals forcing you to make your tables and graphs less accessible, and then botching the resolution of your artwork so it comes out all fuzzy.
Read my book (Josh reviewed it) and joint the guerilla army to combat this!